Auditory Masking: How Sounds Conceal One Another

An in-depth academic exploration of auditory masking, detailing peripheral and central mechanisms, energetic and informational masking, historical developments, measurement methodologies, and clinical applications.

Dr. Mohammed Looti An academic and researcher specialized in
PUBLISHED
Scientifically Reviewed · Dr. Marwa Abd-Alazim · November 7, 2026
Medically & Scientifically Reviewed Verified: November 7, 2026
Dr. Marwa Abd-Alazim PhD in Psychology
Faculty Member • University of Kerbala
Review Criteria & Clinical Standards

This content undergoes rigorous scientific peer-review and medical editorial standards at Arab Psychology Network to ensure clinical accuracy, validity, and compliance with evidence-based guidelines from leading psychological and healthcare authorities (APA / WHO).

Auditory perception operates within complex, multi-source acoustic environments where overlapping acoustic waveforms continuously compete for representation within the peripheral and central nervous systems. Under these crowded acoustic conditions, the presence of one sound frequently diminishes, alters, or entirely extinguishes the perceptual salience of another—a biological phenomenon formally recognized as auditory masking. By governing the limits of spectral and temporal resolution in hearing, auditory masking establishes the fundamental boundary conditions for human vocal communication, acoustic scene analysis, clinical diagnostics, and modern digital signal processing.

Auditory Masking

1. Concise Definition

Auditory masking is a psychoacoustic phenomenon wherein the threshold of audibility for a target sound (the maskee) is elevated by the concurrent, preceding, or succeeding presentation of another acoustic stimulus (the masker). In more general sensory terms, it represents the quantifiable reduction in a listener’s capacity to detect, discriminate, or recognize an acoustic signal caused by the spectral or temporal proximity of interfering sound energy.

At its sensory core, masking reflects both peripheral biomechanical constraints within the inner ear and central computational constraints within the ascending auditory pathways. The magnitude of masking is conventionally expressed in decibels (dB) as the difference between the absolute detection threshold of the signal in quiet and the masked threshold measured in the presence of the interfering stimulus. Beyond mere threshold elevation, masking profoundly reshapes the perceived loudness, timbre, and spatial localization of suprathreshold acoustic events, modulating how organisms parse acoustic environments.

2. Etymology & Linguistic Origin

The term auditory derives from the Latin auditorius, meaning "pertaining to hearing," which itself stems from the verb audire ("to hear"), originating from the Proto-Indo-European root *h₂ew-is-d-, associated with perception and sensory awareness. The substantive masking traces its lineage through the Middle French masque ("a covering to conceal the face") and the Italian maschera, with distant roots suspected in the Late Latin masca ("witch, specter, or disguise") or the Arabic maskharah ("buffoon, masquerader"). In technical usage, the metaphorical application of "masking"—denoting the active concealment or occultation of one physical entity by another—entered physical acoustics and experimental physiology during the late nineteenth century.

Early acoustic investigators, most notably American physicist Alfred M. Mayer in 1876, initially described the phenomenon as the "obliteration" or "smothering" of one sensation by another. By the 1920s, research teams at Bell Telephone Laboratories formalised the term masking into standard psychoacoustics nomenclature to designate the measurable shift in hearing thresholds produced by extraneous acoustic energy.

3. Pronunciation & Grammatical Form

Pronunciation: /ˈɔː.dɪ.tɔːr.i ˈmæs.kɪŋ/ (General American: /ˈɑː.də.tɔːr.i ˈmæs.kɪŋ/).

Part of Speech: Compound noun (uncountable).

Grammatical Variants and Derivatives:

  • Masker (noun): The acoustic stimulus responsible for inducing threshold elevation or perceptual concealment.
  • Maskee or Probe / Target (noun): The acoustic signal whose detection or discrimination is degraded.
  • Masked threshold (noun phrase): The absolute sound pressure level required to perceive the target signal in the presence of the masker.
  • Mask (transitive verb): The act of rendering a signal undetectable or less audible through acoustic interference.

4. Detailed Conceptual Explanation

The operational framework of auditory masking is grounded in the tonotopic organization of the mammalian peripheral auditory apparatus. Acoustic energy arriving at the tympanic membrane is transmitted via the ossicular chain to the fluid-filled cochlea, where pressure differentials across the scala media generate a mechanical traveling wave along the basilar membrane. High-frequency sounds produce peak basilar displacements near the rigid, narrow cochlear base, whereas low-frequency sounds travel further, eliciting maximal mechanical displacement toward the compliant, broad apex.

When an intense masker sound displaces a specific region of the basilar membrane, the mechanical excitation pattern spreads across adjacent neural channels. If a weak probe signal simultaneously excites a cochlear sector already vibrating vigorously from the masker, the additional mechanical displacement and corresponding stereocilia shearing on inner hair cells fail to generate a statistically distinguishable increment in auditory nerve discharge rates. Consequently, the peripheral nervous system cannot differentiate the presence of the probe from the background excitation produced by the masker.

A striking asymmetry characterizes this peripheral interaction: the upward spread of masking. Because the traveling wave along the basilar membrane builds gradually as it propagates from the base toward its characteristic frequency (CF) place and then decays precipitously beyond that point, low-frequency maskers create broad excitation tails that extend basally into high-frequency regions. Conversely, high-frequency maskers induce very little apical disturbance. Hence, a loud low-frequency sound efficiently conceals higher-frequency tones, whereas a high-frequency sound exerts negligible masking upon low-frequency targets unless presented at damaging sound pressure levels.

In addition to linear mechanical overlap, masking behaviors are shaped by cochlear non-linearities governed by outer hair cell electromotility. Active amplification creates sharp frequency tuning at low-to-moderate intensities, but this amplifier saturates at elevated sound pressure levels, causing auditory filters to broaden significantly. Furthermore, non-linear mechanical interactions produce two-tone suppression, wherein the simultaneous presence of a secondary tone reduces the mechanical and neural response to an existing probe tone without contributing excitatory energy of its own.

5. Historical Development

Scientific investigation into auditory masking originated with Alfred Marshall Mayer in 1876, who systematically demonstrated that high-frequency organ pipe tones could be rendered completely inaudible by the introduction of loud, low-frequency tones, while the converse did not occur. Mayer’s early empirical observations established the directional asymmetry of acoustic interference, challenging contemporary assumptions regarding independent sensory channels.

In 1924, Richard L. Wegel and C. E. Lane at Bell Telephone Laboratories published a pioneering quantitative investigation of masking using pure-tone stimuli generated by vacuum-tube oscillators. Their classic masking patterns revealed the complex morphology of threshold shifts, including the pronounced upward spread of masking, harmonic distortion products, and the confounding influence of acoustic beating when masker and probe frequencies converged.

The theoretical conceptualization of masking reached maturity in 1940 through the foundational work of Harvey Fletcher. Investigating the detection of pure tones embedded in broadband noise, Fletcher formulated the concept of the critical band. He hypothesized that the peripheral auditory organ operates as a continuous bank of overlapping bandpass filters, with listeners attending exclusively to the single filter centered on the target signal. In Fletcher’s classic power spectrum model, the acoustic energy falling outside the critical band contributes nothing to threshold elevation, whereas energy within the filter directly determines the masked threshold.

During the latter half of the twentieth century, psychoacousticians refined Fletcher’s construct. Eberhard Zwicker (1961) standardized the critical band into the Bark scale, mapping 24 distinct auditory channels across the audible spectrum. Later, Brian C. J. Moore and Roy D. Patterson (1980s) introduced the notched-noise method, yielding the Equivalent Rectangular Bandwidth (ERB) scale and rounded exponential filter models that accurately characterize non-linear, level-dependent filter broadening. Concurrently, researchers recognized that masking extends far beyond peripheral filter competition, establishing paradigms to explore non-simultaneous temporal masking and centrally mediated informational masking.

6. Theoretical Foundations

Modern psychoacoustic theory organizes auditory masking under two primary paradigms: the Power Spectrum Model of Masking and Excitation Pattern Theory. The power spectrum model asserts three core tenets: (1) the peripheral auditory system consists of an array of linear bandpass filters; (2) when detecting a tonal probe in noise, the auditory system evaluates only the filter centered at or near the probe frequency; and (3) detection is achieved when the signal-to-masker power ratio at the output of that auditory filter reaches a critical, invariant threshold value.

Excitation pattern theory extends this conceptualization to dynamic, broadband, and suprathreshold conditions. An excitation pattern represents the spatial distribution of neural activity or effective basilar membrane displacement across the frequency-to-place map of the cochlea. Within this framework, a probe signal becomes detectable if its inclusion elevates the overall excitation profile by a just-noticeable increment (typically ~1 dB) at any tonotopic position, rather than strictly at the center frequency of the stimulus.

Beyond peripheral energetic models, modern theory differentiates between energetic masking and informational masking:

  • Energetic Masking: Direct spectral and temporal overlap occurring at the sensory periphery (cochlea and auditory nerve), wherein the masker’s physical energy overwhelms the probe signal, preventing the generation of distinct neural spikes.
  • Informational Masking: Centrally mediated interference occurring when masker and probe are spectrally segregated and fully resolved peripherally, yet perceptual detection or recognition fails due to perceptual confusion, selective attention failure, or cognitive processing bottlenecks.

Signal Detection Theory (SDT) further underpins the empirical evaluation of masking. Rather than treating masked thresholds as static physical barriers, SDT interprets detection as a probabilistic decision process in which a listener discriminates sensory evidence (the signal-plus-noise distribution) from internal and external noise (the noise-alone distribution), isolating sensory sensitivity ($d'$) from response criteria ($eta$).

7. Key Components, Types & Dimensions

Auditory masking encompasses several distinct subtypes categorized by temporal alignment, neural locus, and spectral configuration:

  • Simultaneous Masking: The masker and the target signal overlap in time. This includes:
    • On-Frequency Masking: Masker energy matches the precise frequency region of the target probe.
    • Off-Frequency Masking: Masker energy resides outside the probe frequency, illustrating filter skirts and the upward spread of masking.
  • Temporal (Non-Simultaneous) Masking: The masker and signal do not coincide physically in time, yet threshold shifts occur due to sensory persistence or neural processing latency:
    • Forward Masking (Post-Stimulatory): The masker precedes the target probe. Elevated thresholds persist for up to 100–200 milliseconds following masker termination, driven by short-term neural adaptation, neurotransmitter depletion at inner hair cell ribbon synapses, and lingering basilar ring-down.
    • Backward Masking (Pre-Stimulatory): The masker follows the target probe by up to 20–50 milliseconds. This counter-intuitive phenomenon arises because intense, subsequent maskers produce faster neural transmission along large-diameter fibers, overtaking and disrupting the weaker, latent cortical registration of the preceding probe.
  • Central Masking: A minor threshold elevation (typically 5–10 dB) observed when a masker is presented to the contralateral ear during monaural target presentation. Because no peripheral cochlear interaction occurs, central masking is mediated by binaural inhibitory circuits within the superior olivary complex and inferior colliculus.
  • Binaural Masking Level Difference (BMLD): A paradoxical release from masking occurring when identical signals presented dichotically undergo interaural phase or time reversals relative to a common masker, demonstrating central binaural cross-correlation mechanisms.

8. Examples & Illustrative Cases

Auditory masking manifests across routine ecological interactions, clinical pathologies, and engineered consumer systems:

Case 1: The Cocktail Party Problem and Speech Masking
In a crowded restaurant, a diner attempts to comprehend a conversational partner seated across a table. The ambient background composed of continuous hum (HVAC systems, kitchen clatter) creates energetic masking by drowning out low-intensity high-frequency speech consonants (e.g., /s/, /f/, /θ/). Simultaneously, overlapping chatter from neighboring tables generates informational masking; even when surrounding voices are equal in loudness, their linguistic content and phonetic variability distract auditory attention, degrading speech intelligibility at the central cortical level.

Case 2: Contralateral Masking in Pure-Tone Audiometry
A 45-year-old patient presents with severe unilateral hearing loss in the right ear following acoustic trauma, while the left ear remains normal. When the audiologist presents a 60 dB HL tone via air-conduction earphones to the impaired right ear, the acoustic energy travels mechanically across the skull bones (cross-hearing) and stimulates the healthy left cochlea at roughly 20 dB HL. The patient responds, creating a misleading "shadow curve." To obtain the true threshold of the impaired ear, the clinician applies narrow-band masking noise to the non-test (left) ear, elevating its threshold and isolating the right ear for diagnostic evaluation.

Case 3: Perceptual Audio Coding (MP3/AAC Algorithms)
A digital audio engineer masters an orchestral recording featuring a thunderous bass drum strike coinciding with a subtle acoustic guitar strum. Using high-resolution psychoacoustic algorithms, lossy compression formats (such as MP3 or AAC) compute instantaneous cochlear excitation patterns. Recognizing that the intense bass drum generates powerful upward energetic masking that renders subtle guitar overtones physically inaudible to human ears, the encoder discards those masked spectral components, drastically reducing file size without perceptually altering audio fidelity.

9. Measurement & Assessment

Psychoacousticians and clinical audiologists employ rigorous psychophysical and electrophysiological methodologies to quantify masking dynamics:

Psychophysical Tuning Curves (PTCs):
PTCs delineate the frequency selectivity of an individual auditory system. A continuous, low-intensity target tone (e.g., 10 dB above threshold) is presented at a fixed frequency. A variable-frequency narrowband masker is introduced simultaneously, and its sound pressure level is systematically adjusted via adaptive staircase tracking until the probe tone is just masked. The resulting curve reflects the inverse of the underlying auditory filter, revealing the tip, characteristic frequency, and asymmetrical filter skirts.

The Notched-Noise Method:
Developed by Roy Patterson, this methodology measures auditory filter shape without the confounding influence of non-linear beat sensations. A pure-tone signal is centered within a spectral notch created between two broadband noise bands. As the frequency separation (notch width) between the noise bands increases, progressively less masker energy leaks into the internal auditory filter centered on the probe. By plotting probe threshold as a function of notch width, researchers apply mathematical models—such as the rounded exponential (roex) model—to calculate the Equivalent Rectangular Bandwidth (ERB).

Clinical Hood’s Plateau Method:
In diagnostic audiology, determining true bone-conduction and air-conduction thresholds necessitates systematic masking of the non-test ear. Hood’s Plateau technique introduces narrowband noise in 5 dB increments to the non-test ear. The clinician identifies a "plateau"—a range of 15 to 20 dB across which increasing masking intensity produces no change in the target ear’s threshold. This confirms that the test ear alone is responding, avoiding both undermasking (cross-hearing still active) and overmasking (masking noise crossing back to the test ear).

Electrophysiological Indices:
Objective assessment of auditory masking leverages far-field auditory evoked potentials, specifically the auditory brainstem response (ABR). When recorded in the presence of continuous background noise, Wave V of the ABR exhibits latency prolongation and amplitude diminution. Cortical auditory evoked potentials (CAEPs), such as the P1-N1-P2 complex, provide objective biomarkers of central speech-in-noise processing and informational masking susceptibility.

10. Applications & Practical Significance

The principles of auditory masking underpin major innovations across healthcare, communications engineering, and architectural design:

  • Diagnostic Audiology: Accurate audiometric characterization of asymmetric sensorineural, conductive, or mixed hearing impairments is clinically impossible without proper masking. It prevents false bone-conduction results that could otherwise misguide otologic surgeries for conditions like otosclerosis or chronic otitis media.
  • Perceptual Audio Codecs: Modern digital media streaming relies entirely on psychoacoustic masking models. Codecs such as MPEG-1 Audio Layer III (MP3), Advanced Audio Coding (AAC), and Opus continuously evaluate temporal and simultaneous masking thresholds. They allocate bits primarily to unmasked spectral components while quantizing masked components coarsely or eliminating them entirely, slashing bandwidth requirements by up to 90%.
  • Architectural Acoustics and Sound Masking: In corporate open-plan offices, healthcare facilities, and secure government spaces, sound masking systems emit engineered, diffuse background spectrums (often termed "pink noise" or speech-shaped noise). By raising the ambient ambient noise floor, these systems reduce speech intelligibility radius, ensuring privacy and minimizing cognitive distraction.
  • Hearing Aid and Cochlear Implant Engineering: Advanced hearing aids utilize multi-channel dynamic noise reduction and directional beamforming to reduce energetic masking caused by low-frequency environmental noise, preserving fragile speech formants. In cochlear implants, broad electrical current spread causes severe channel-interaction masking; contemporary speech-processing strategies (e.g., Continuous Interleaved Sampling, CIS) space biphasic electrical pulses non-simultaneously across electrode contacts to eliminate direct electrical field superposition.
  • Tinnitus Management: Acoustic masking devices and Tinnitus Retraining Therapy (TRT) employ broadband or customized notch-filtered sounds to partially or fully mask the internal percept of tinnitus, providing psychological relief and promoting long-term neural habituation.

11. Research & Empirical Evidence

Empirical research across the past century has validated and expanded our understanding of auditory masking mechanics. Fletcher’s (1940) critical band hypothesis laid the groundwork, demonstrating that detection thresholds for tones increase linearly with noise bandwidth up to a critical width, beyond which further widening of noise yields no additional threshold shift. Zwicker (1961) corroborated these findings across a broad range of frequencies, standardizing empirical bandwidth values across human listeners.

In contemporary research, the dichotomy between energetic and informational masking has generated extensive literature. Classic investigations by Gerald Kidd Jr., Christine R. Mason, and Douglas S. Brungart demonstrated that when maskers consist of competing speech or multi-tone sequences with high spectral uncertainty, masked thresholds can elevate by 30 to 40 dB above what peripheral filter overlap would predict. These findings prove that central attentional selection and pattern recognition mechanisms impose profound processing constraints distinct from cochlear mechanics.

Cochlear micromechanics research using laser Doppler vibrometry (Ruggero et al., 1997) has empirically confirmed the physiological basis of the upward spread of masking. Direct in vivo recordings of basilar membrane displacement demonstrated that the non-linear active amplification provided by outer hair cells creates sharp tuning tips at low stimulus levels, which broaden into flat, low-frequency tails as sound levels increase, perfectly matching psychophysical masking patterns.

Furthermore, developmental and gerontological studies show that auditory masking dynamics change systematically across the lifespan. Older adults, even in the absence of elevated pure-tone thresholds, exhibit significantly wider auditory filters, reduced temporal resolution (exaggerated forward masking), and heightened susceptibility to informational masking. These empirical findings help explain the prevalent clinical complaint among aging populations regarding degraded speech understanding in noisy social gatherings.

12. Cultural & Cross-Cultural Considerations

While the biophysical mechanisms of cochlear filtering and peripheral energetic masking are universal human traits, the perceptual impact of informational masking varies across linguistic, cultural, and acoustic environments. Cross-linguistic psychoacoustic studies demonstrate that native speakers of tonal languages (such as Mandarin or Vietnamese) utilize pitch contours differently when segregating speech signals from competing background talkers compared to speakers of non-tonal, stress-timed languages (such as English or German). Fundamental frequency ($F_0$) variations provide a vital cue for releasing speech from informational masking, and listeners who rely on lexical tone show heightened sensitivity to subtle pitch fluctuations in masking paradigms.

Additionally, cultural soundscapes shape how populations habituate to continuous acoustic interference. Urban populations exposed to chronic industrial and transport noise develop differing attentional filtering strategies compared to rural populations accustomed to low ambient sound floors. Cross-cultural research in acoustic ecology highlights that architecture, societal preferences for conversational proximity, and ambient vocal dynamics influence how effectively communities manage energetic and informational masking in everyday spaces.

13. Criticisms, Debates & Limitations

Despite robust empirical models, several unresolved debates and theoretical limitations persist within auditory science:

  • Mechanisms of Backward Masking: The physiological validity of backward masking remains contested. Because the probe precedes the masker, peripheral cochlear interaction is physically impossible. While standard models argue that the masker’s faster neural transit disrupts late cortical integration, critics note that backward masking exhibits enormous inter-subject variability and diminishes rapidly with training, suggesting it may reflect procedural confusion or cognitive lapses rather than an immutable sensory process.
  • Linearity Assumptions of the Power Spectrum Model: The classical power spectrum model assumes that peripheral auditory filters operate linearly. However, the living cochlea is notoriously non-linear, exhibiting level-dependent tuning, active compression, and two-tone suppression. In dynamic acoustic conditions, linear filter bank approximations often fail to predict threshold shifts accurately.
  • Delineating Energetic vs. Informational Masking: While theoretically distinct, establishing clear experimental boundaries between energetic and informational masking remains challenging. Competing speech stimuli inevitably induce both peripheral overlap and cognitive competition; segregating their relative contributions continues to spur methodological debate in psychoacoustics.
  • The Clinical "Masking Dilemma": In cases of severe bilateral conductive hearing loss (e.g., extensive bilateral otosclerosis or congenital ossicular malformations), the bone-conduction thresholds require masking, but the interaural attenuation via bone conduction is near zero dB, and the high air-conduction thresholds require intense masking noise. Consequently, the minimum masking level instantly crosses over and overmasks the test ear. In such clinical scenarios, traditional masking rules collapse, creating a diagnostic impasse.

14. Related Terms & Distinctions

To prevent conceptual confusion, auditory masking must be differentiated from closely associated acoustic and psychoacoustic phenomena:

  • Auditory Masking vs. Auditory Adaptation: Masking is an active threshold shift caused by the physical or perceptual interference of an extraneous sound. Auditory adaptation refers to the natural decline in perceived loudness or neural firing rate during the prolonged, continuous presentation of an invariant acoustic stimulus in the absence of any interfering sound.
  • Auditory Masking vs. Temporary Threshold Shift (TTS): Masking is instantaneous, non-pathological, and fully reversible upon the cessation of the masker (with the exception of temporal masking windows lasting milliseconds). A TTS is a post-exposure metabolic and mechanical fatigue of outer hair cells following prolonged exposure to hazardous noise levels, resolving over hours or days.
  • Auditory Masking vs. Acoustic Interference / Wave Cancellation: Acoustic interference is a physical wave phenomenon occurring in the physical medium, where out-of-phase waveforms cancel via destructive summation before entering the ear. Auditory masking occurs after the sound waves enter the biological system, resulting from cochlear mechanics and neurocomputational processing.
  • Auditory Masking vs. Two-Tone Suppression: Masking generally involves the addition of excitatory neural activity that conceals another signal. Two-tone suppression is a purely mechanical, non-linear phenomenon within the basilar membrane wherein a second tone decreases the physical vibration and neural response elicited by a primary tone without generating excitatory firing of its own at that frequency place.

15. Summary & Key Takeaways

Auditory masking represents a foundational psychoacoustic mechanism illustrating how acoustic energy alters the auditory system’s sensitivity. Whether occurring simultaneously through spectral overlap on the basilar membrane, non-simultaneously across fleeting temporal windows, or centrally via cognitive bottlenecks, masking governs sensory acuity. Driven by the non-linear mechanics of cochlear processing and the upward spread of low-frequency energy, this phenomenon defines the boundary conditions of human hearing. Understanding these properties enables precise clinical audiological diagnostics, drives perceptual compression algorithms powering global digital communications, and inspires acoustic engineering solutions that optimize human performance in noisy built environments.

In conclusion, auditory masking is not merely a sensory limitation, but a physiological window into the complex biological architecture of human hearing. By illuminating the boundaries between peripheral biomechanics and central cognitive computation, the study of masking bridges physical acoustics, sensory neuroscience, and communications engineering, transforming how we assess auditory health and transmit sound in the modern world.

References

  • Brungart, D. S. (2001). Informational and energetic masking in the cocktail party environment. Journal of the Acoustical Society of America, 110(5), 2527–2538. https://doi.org/10.1121/1.1408407
  • Fletcher, H. (1940). Auditory patterns. Reviews of Modern Physics, 12(1), 47–65. https://doi.org/10.1103/RevModPhys.12.47
  • Kidd, G., Jr., Mason, C. R., & Arbogast, T. L. (2002). Similarity, uncertainty, and masking in the speech recognition of normal-hearing and hearing-impaired listeners. Journal of the Acoustical Society of America, 111(3), 1433–1444. https://doi.org/10.1121/1.1448342
  • Moore, B. C. J. (2012). An Introduction to the Psychology of Hearing (6th ed.). Academic Press / Emerald Group Publishing.
  • Patterson, R. D. (1976). Auditory filter shapes derived with noise stimuli. Journal of the Acoustical Society of America, 59(3), 640–654. https://doi.org/10.1121/1.380914
  • Ruggero, M. A., Rich, N. C., Recio, A., Narayan, S. S., & Robles, L. (1997). Basilar-membrane responses to tones at the base of the chinchilla cochlea. Journal of the Acoustical Society of America, 101(4), 2151–2163. https://doi.org/10.1121/1.418265
  • Wegel, R. L., & Lane, C. E. (1924). The auditory masking of one pure tone by another and its probable relation to the dynamics of the inner ear. Physical Review, 23(2), 266–285. https://doi.org/10.1103/PhysRev.23.266
  • Zwicker, E. (1961). Subdivision of the audible frequency range into critical bands (Frequenzgruppen). Journal of the Acoustical Society of America, 33(2), 248–248. https://doi.org/10.1121/1.1908630

Cite This Article

Looti, M. (2026, November 7). Auditory Masking: How Sounds Conceal One Another. PSYCHOLOGICAL DATABASE. https://english.arabpsychology.com/dictionary/auditory-masking/
Looti, Mohammed. “Auditory Masking: How Sounds Conceal One Another.” PSYCHOLOGICAL DATABASE, 7 November 2026, https://english.arabpsychology.com/dictionary/auditory-masking/.
Looti, Mohammed. “Auditory Masking: How Sounds Conceal One Another.” PSYCHOLOGICAL DATABASE. November 7, 2026. https://english.arabpsychology.com/dictionary/auditory-masking/.